“Now we’re four misfits who don’t belong together; we’re playing for the other misfits. They’re the outcasts, right at the back of the room. We’re pretty sure they don’t belong either. We belong to them.” – Freddie Mercury
As I’m sitting here, I’m listening to the Twenty-Four minute, thirty-seven second performance of Queen at Live Aid of July 13, 1985. This just hours after seeing the movie, “Bohemian Rhapsody” (20th Century Fox), the song of which was written by Freddie Mercury for Queen’s 1975 Album, “A Night at the Opera.”
I remember Live Aid. And I remember this performance. It was talked about over dinner tables and water coolers throughout the world. A packed venue with 72,000 people in attendance at Wembley Stadium in London.
I grew up loving Queen. I couldn’t get enough of them. Their music spoke to me. I was the outcast in the back of the room that Freddie was talking about.
Yet I had no clue of Freddie Mercury’s life. Nobody had any idea what a train-wreck his life was, and nobody knew just how ill he was when he gave that remarkable, earth-shattering performance.
Queen’s music was something to listen to while I did my homework, drank my RC Cola, and smoked my weed. Later, Queen’s music would console and encourage me as I went through some astoundingly difficult times in my life. It was a go-to. It was a constant.
Then, in 1991, they were gone.
Fast forward forty years. I watched in awe as Rami Malek, (Night at the Museum; Mr. Robot; Twilight – Breaking Dawn, Part 2) recreated Freddie Mercury’s persona on the big screen with such eloquence. The speaking voice, the body language, the little nuances, and the amazing resonance of his singing (a mixture of his own voice, Freddie’s and Canadian singer Marc Martel). Even the eerie finger movements on the piano were spot on.
If I didn’t know better, I would have said I was watching Freddie.
Bohemian Rhapsody is a biographical film about the British rock band, Queen. It follows lead signer Freddie Mercury’s life, who defied stereotypes to become one of the most beloved entertainers on earth. The film traces events leading up to Queen’s reunion at Wembley’s 1985 Live Aid performance.
The movie, written by Anthony McCarten and produced by Graham King, Jane Rosenthal and Robert De Niro opened on November 2nd with mixed reviews. However, the box office doesn’t lie. Opening weekend payouts were at $51,061.119 on a movie that cost $52 million to make, with an astounding $254,423.150 total worldwide gross as of November 8.
If you see nothing else this year, make sure you don’t miss this.
I love your blog, Thank you Tess for supporting our radio show and supporting artist in general. I am a big fan of your work,your writing is exquisite ..:)
ReplyDeleteBrian, thank you for all you do, and your compliment on my work.
ReplyDeleteTess,
ReplyDeleteThank you for all of your unending support that you have given us over the months. I love your blog and your writing draws readers in from the first word!!!
Thank you so much for your kind words!
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